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OOC

  • Jan. 2nd, 2008 at 3:20 PM
Apologies from Colette and I for our general absence lately.  The computer has not been working properly, and now must be sent in for repairs.  So it will be a while before we're really back.  :(

Happy New Year to all!
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Dec. 24th, 2007

  • 10:49 AM
Wish he was under the mistletoe.

Dec. 18th, 2007

  • 12:02 AM
No ride sweeter than Johnny Mercer.

[info]sixwordstories

  • Dec. 14th, 2007 at 9:49 AM
Can I do Christmas without him?
I've been stopping time since my ninth birthday. That's when I got my first camera, some rinky-dink little point and shoot with a roll of Kodak 400 Gold. I'd finished it off before the party was over. The pictures mostly suck, since I didn't understand the concept that sun behind a person puts them in shadow, but there were a few that turned out okay. Not too shabby for an overeager beginner, I think.

As the years went on, I got better. Photography classes and higher end cameras definitely helped, but I think that a large part of it was the fact that as I matured, my aesthetic sense did too. I learned to appreciate the way the light filtered through the moss on a summer afternoon, that sometimes minimal is best. My framing got better, too. All of it to help me capture those moments that I wanted to keep forever.

One of my favorite pictures ever is from the day of Jess Marie's wedding. They had hired a professional to do the fancy official portraits of everyone, but she still wanted me to go camera happy before the ceremony and during the reception. We were in Forsythe Park, next to that big white fountain that Clint Eastwood kept showing in Midnight and the Garden of Good and Evil. Everyone was nervous and jittery, so Bret (the groom) decided that everyone should run around and play tag. In their tuxedos and gowns. The picture I snapped is a black and white of Bret grabbing Jess Marie from behind as she runs for the fountain (which they declared base). It has that classic look, like it's straight out of a movie. I had just turned sixteen, and that was the epitome of romance to me. Still is, really.

Then there are the pictures from my wedding. The ones that make it impossible to forget just how wonderful it was. Pictures of my niece in her poofy pink flower girl dress stealing my daddy's glasses. Of Jess Marie, eight months pregnant with my nephew, looking absolutely gorgeous in her bridesmaid outfit. JJ primping in the mirror before the ceremony, and then falling over drunk at the reception. But my favorite ... it's blurry, dark, and poorly framed, but it's the picture I carry with me everywhere now. It's Lucas, pulling the camera out of my hands so I could walk down the aisle. The picture was an accident; I was just trying to hold onto the camera when my finger pressed the shutter. I remember it so clearly, the way he laughed and ran off with it like he was running for a touchdown. (And God, I loved him, but if he had dropped it, I would've killed him right then and there in front of everyone.)

It's the picture that captures the way we were, better than any other. In that 4x6 glossy print lives my husband, my love, my marriage, my life.

I never have to wish for time to stop.

To be able to go back and change things is a different story.
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I missed the first twenty minutes of Lucas's funeral, and that was after they started a half hour late at my mother's insistence.

Just how in the hell was I supposed to stand at the front of that church in front of all those people? I mean, really. My husband is here one minute and gone the next, and I'm supposed to stand there and be the picturesque portrait of a silent, grieving woman everyone expects of me?

Hell no, thank you very much.

JJ and Jess Marie had to drag - and I do mean drag - me out of the car and into the church. And then? They couldn't get me past the back row, not until I had to deliver that eulogy. And halfway through that? Jess Marie had to walk me to the foyer, and poor JJ had to pick up where I'd left off.

Honestly, I would have been content to mourn in private and spread his ashes in the river with just our immediate families around. I didn't want a big funeral, but the in-laws asked for it. And ... well, they're sweet people, and it was important to them and their family, so I agreed. Sure as hell wish I hadn't had to go, but I guess that's the way the wheel turns.

I was late to the wake, too, but for a different reason. See, after the funeral, there was a bit of a tussle. One of Lucas and JJ's old friends from high school said something not too terribly nice about me (who knew their buddies saw me as the Yoko of their little clique?) and ... well, JJ decided to set him straight, bless his heart. Of course, that meant two hours in the emergency room to get his hand fixed, and another hour explaining to the police what had happened. Luckily that son of a bitch had the decency not to press charges since ... well, he asked for that broken nose.

Of course, when I finally got to the house - our house - one of Lucas's aunt tried to guilt trip me. Kept pestering me about how a widow's responsibility is to be there for people to pay their respects, blah blah blah. Course, this woman ain't even been married in her life, but she's one of those kinds of folks feels they're entitled to tell anyone and everyone what they should be doing.

I'll be straight. I slapped that broad so hard my hand went numb. I'm fairly sure my in-laws snickered, and maybe even applauded. Then I went into the kitchen and got JJ some ice for his hand and some Jim Beam for the rest of him, because that's how little sisters should take care of their big brothers.

That was Saturday, a week after he'd died. Monday, I was back at school.

I think I was late then, too.
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Contrary to popular opinion ...

  • Apr. 28th, 2007 at 6:02 PM
I am not a Southern stereotype.

Yes, I am proud of being Southern. But that's because Savannah is a beautiful little city with a lot of history and a lot of class. I can't imagine living anywhere else.

Yes, I say "y'all" and "ain't" and all those lovely little colloquialisms, but that doesn't mean I don't know how to use proper English. One of my my majors is in writing, thank you very much, and I come from a long line of people with college educations.

Yes, I was married at nineteen. No, he wasn't my cousin or any other relative he was my brother's best friend, but that's not the point, and no, it wasn't a shotgun wedding. I married Lucas because I was in love and I knew that he was the man I wanted to spend the rest of my life with.

No, I do not carry ten cans of hairspray and a ton of makeup around with me. Like I said, I'm from Savannah, not Little Rock. We know the meaning of tasteful here.

No, my family did not establish itself through plantations and slavery. We're actually descended from pirates.

And no, "Dixieland" is not my very favorite song of all time. Those would be "Georgia On My Mind" and "Skylark".
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My sight is the most important thing I have. My whole life revolves around it. Without it, what would I have, what could I be?

... Well, I could always try and be the next Ray Charles, but I don't think people would buy a blind white girl as much as they did a blind black guy. I just don't have the same appeal.

I'm a photographer. Everywhere I look, I see a picture. The way the sun is falling on that building across the street. The way those trees are framing that window. The way that kid is skipping down the sidewalk, or his momma's yelling after him.

My house is full of pictures. Pictues of family, pictures of friends, pictures of vacations and Savannah. Pictures of Lucas, pictures of us.

I know I could never forget him, but to see him every day smiling at me from that frame ... if I didn't have that, I really wouldn't have anything. If I couldn't see the smile on my niece's face when she comes to visit, or the absolute beauty of this city, I would lose the things that define me.
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Colette - Bio Sheet

  • Apr. 27th, 2007 at 3:17 PM
GENERAL INFORMATION
Name: Colette Angeline Baxley Harper
Nicknames: Col, Angie, Cabbie
Age: 23, born September 14, 1984

PSYCHOLOGY
IQ: Somewhere in the 120s.
Phobias/Fears: Total darkness, hospitals.
Religious Beliefs: Raised Baptist, currently non-practicing.  Also believes in the supernatural (ghosts, etc.)
Intolerances/Annoyances: Smokers, naysayers, narrow-mindedness, people who tell her how to live or grieve, rudeness, people who manhandle delicate equipment.
Quirks/Habits: Colette refuses to stop wearing her wedding and engagement rings, only removing them when showering or washing dishes.  She's also very particular about the way her camera bag is packed, and gets very anxious if anyone else is handling her equipment (like during security searches, etc.)

FAMILY
Parents: Jonathon and Anette Baxley
Siblings: Jessica Marie (older sister), Jonathon Jacob (older brother)
Spouse/Serious Lover: Lucas Harper, husband (deceased)
Children: None

PRESENT BACKGROUND
Occupation: None
Education: Bachelor of Arts, Savannah College of Art and Design, Class of 2007.
Major: Contemporary Writing/Photography, minor in Music Performance
Activities: Presently, Colette is on a solo road trip around the country. 
Home: 1963 Chevrolet Nova SS Convertible
Friends: The open road (plus a few folks back home).
Finances:  Colette's family is well established and willing to help support her.  She also received a enough after her husband's death to keep her going on her trip, and earns some income by submitting freelance photos to various publications.
 
APPEARANCE
Height: Moderately tall
Eyes: Light blue
Hair: Naturally a dirty blonde, but has experimented with natural red and dark brown.
Face & Complexion: Fair and pretty, in that girl-next-door kind of way.
Build: Slim.
Defining Marks: Faint scar on her stomach from appendicitis surgery when she was a child, small tattoo of a Celtic knot on her left ankle.
Dress Style: Fun, casual, and kind of funky; her tastes range from jeans and a t-shirt, to outfits a little more artisty, like boho skirts and layered tops.  She can also pull off classy couture when the occasion calls for it.
Manner of Speech: Aside from her accent (think a slightly more upper-class Southern accent) and a few colloquialisms, Colette speaks very precise English, coming from a long family history of higher education.
Manner of Movement: Colette is quick on her feet and has an excellence sense of balance.  She is also very delicate and precise in her finger movements, being a pianist and artist.

ROMANTIC
Marital Status: Widowed.
Sexual Preference: Straight 
Past Relationships: Assorted boyfriends from high school and junior high, none of any real note.
Present Relationship(s): None.
 
OTHER
Colette is the youngest of three children (Brother JJ is three years older, and sister Jess Marie is nearly seven years older).  Growing up, she was  always doing something with her hands; at an early age, her mother focused this restless energy on the piano, and she became a rather accomplished classical pianist before moving into jazz at the age of 13.  She received her first camera for her ninth birthday, and instantly fell in love with the idea of photography.
 
Colette's family is a tight knit one.  Despite the age differences, the three siblings are very close, Colette and JJ especially.  This is partially due to the link of Lucas Harper between them.  Lucas and JJ had been best friends since elementary school, and he was no stanger to the Baxley family.  As teenagers, Lucas and Colette grew closer, starting to date when she was seventeen, and marrying when she was nineteen.  Though young, they were deeply in love, and managed to juggle being married with finishing college and, in Lucas' case, starting a career.
 
On a Saturday morning in March, Colette woke to find Lucas had dead from a ruptured aneurysm in his brain.  The sudden shock of the loss of her husband turned her world upside down just weeks before her graduation.  The grieving process has been delayed for her, since so much of her time has been consumed with finishing school.  But one night when she couldn't sleep, she started packing things up and dividing them into what she wanted, what she needed, and what she was going to give away.  The following morning, she put what she needed into her car, put what she wanted into a storage unit, and left rest behind with a letter to her mother instructing her to sell or give it all away.  Then she hit the road without once looking back.3

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~ real gone ~

  • Apr. 27th, 2007 at 1:12 AM
I'm American made but I like Chevrolet
My momma taught me wrong from right.

I was born in the South
Sometimes I have a big mouth
When I see something that I don't like
I gotta say it.

Well, we've been driving this road for a mighty long time
Paying no mind to the signs
Well, this neighborhood's changed
It's all been rearranged
We left that team somewhere behind.

Slow down, you're gonna crash,
Baby you're a-screaming it's a blast, blast, blast
Look out babe, you've got your blinders on
Everybody's looking for a way to get real gone
Real gone.

But there's a new cat in town
He's got high-faded friends
Thinks he's gonna change history

You think you know him so well
Yeah you think he's so swell
But it's just a front you wait and see

Slow down, you're gonna crash,
Baby you're a-screaming it's a blast, blast, blast
Look out, you've got your blinders on
Everybody's looking for a way
To get real gone
Real gone.

Well you can say what you want
But you can't say it 'round here
'Cause they'll catch you and give you a whippin'

Well, I believe I was right when I said you were wrong
You didn't like the sound of that
Now, did ya?

Slow down, you're gonna crash,
Baby you're a-screaming it's a blast, blast, blast
Look out, you've got your blinders on
Everybody's looking for a way to get real gone

Well here I come and I'm so not scared,
Got my pedal to the metal, got my hands in the air
Look out, you take your blinders off
Everybody's looking for a way to get real gone
Real gone.

~ sheryl crow ~

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